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Again and again, context is lost to insipid foreground concerns.
When Max -- who should never have dropped out of school -- is drafted, he and his fellow fuckingnewguys are beset by a squad of jarheads (done up in Taymorian puppet-masks), pounding and pushing them into bodily contortions as all sing "I Want You" (a sequence cleverly introduced at the induction center with an Uncle Sam finger-pointing poster).
Such structural spottiness -- great numbers punctuating humdrum character arcs -- is hardly unusual in a musical.
Still, it's a special problem for Prudence, whose remaining screen-time is all letdown.
Piled into a fantastic multi-room apartment in Greenwich Village -- landladied by Sadie (Dana Fuchs, one of Across the Universe's several professional singers) -- each of the supporting cast members might have anchored a more compelling movie than the one before you. Singing, "Oh please say to me / You'll let me be your man," she walks slowly and intently, her gaze fixed on the perfect blond cheerleader who shakes pom-poms across the football field.
Being as she's located in "the Midwest" and it's the '60s, Prudence doesn’t have a prayer of catching the blond girl's eye, and so she takes off, hitchhiking her way to the Village, leaving behind one of the movie's most dazzling scenes.
But they are also disconnected and, perhaps most exasperating, gimmicky.
He began performing and writing his own songs with local bands at the age of fifteen.
Granted, Julie Taymor's assemblage of Beatles tunes via vivacious set pieces doesn't evince much logic, grafting together plot turns via lyrics that spanned decades.
But it does pulse with an oddly dynamic nostalgia, as if the famous "turmoil" of the '60s -- the assassinations and the war in Vietnam, the demonstrations, drugs, and deeply felt passions -- might be (re)considered romantic adventures.
Jim Sturgess is an English actor, singer and a songwriter, born in Wandsworth, London.
He attends Frensham Heights School and graduated from the University of Salford.
He heads off to war, a land of rice paddies, choppers, and bloody body parts, the Vietnam of U. collective memory, lifted and distorted from all those movies and TV images you've seen before.